HAPPY NEW YEAR! So, I haven’t yet released my Reading Plan for 2025 but this TBR will give you a little sneak peek into what I have planned for my reading goals this year!

New Releases

Plot: Birdie’s keeping it together, of course she is. So she’s a little hungover on her shifts, and has to bring her daughter to the lodge while she waits tables, but Emaleen never goes hungry. It’s a tough town to be a single mother, and Birdie just needs to get by. And then Birdie meets Arthur, who is quieter than most men, but makes her want to listen; who is gentle with Emaleen, and understands Birdie’s fascination with the mountains in whose shadow they live. When Arthur asks Birdie and Emaleen to leave the lodge and make a home, just the three of them, in his off-grid cabin, Birdie’s answer, in a heartbeat, is yes. Out in the wilderness Birdie’s days are harsher and richer than she ever imagined possible. Here she will feel truly at one with nature. Here she, and Emaleen, will learn the whole, fearful truth about Arthur.

Plot: But as the couple travel through the bleak countryside, a shocking carriage accident brings the mysterious Carmilla into Lenore’s life. Carmilla, who is weak and pale during the day but vibrant at night, Carmilla who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . . As the day of the hunt draws closer, Lenore begins to unravel, questioning the role she has been playing all these years. Torn between regaining her husband’s affection and the cravings Carmilla has awakened, soon Lenore will uncover a darkness in her household that will place her at terrible risk . . .

Plot: When professional hockey player Sig Gauthier’s car breaks down and his phone dies, he treks into a posh private country club to call a tow truck, where he encounters the alluring Chloe Clifford, the manic pixie dream girl who captivates him immediately with her sense of adventure and penchant for stealing champagne. Sparks fly during a moonlight kiss and the enamored pair can’t wait to see each other again, but when Sig finally arrives to meet his dad’s new girlfriend over dinner, Chloe is confusingly also there. Turns out the girlfriend is Chloe’s mother. Oh, and they’re engaged. Sig’s dream girl is his future stepsister. Though the pair is now wary of being involved romantically, Chloe, a sheltered harp prodigy, yearns to escape her controlling mother. Sig promises to teach her the ins and outs of independence in Boston—but not inside his bedroom. They both know there can never be more than friendship between a famous hockey player and his high-society, soon-to-be stepsister. But keeping their relationship platonic grows harder amid the developing family drama, especially knowing they were meant for so much more…

Blacklist

Plot: January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else? November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear. As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.

Plot: Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss’s family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding. It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans—except Katniss. The success of the rebellion hinges on Katniss’s willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels’ Mockingjay—no matter what the personal cost.

Plot: An old friend of Kosuke Kindaichi’s invites the scruffy detective to visit the remote mountain village of Onikobe in order to look into a twenty-year-old murder case. But no sooner has Kindaichi arrived than a new series of murders strikes the village – several bodies are discovered staged in bizarre poses, and it soon becomes clear that the victims are being killed using methods that match the lyrics of an old local children’s song… The legendary sleuth investigates, but soon realises must unravel the dark and tangled history of the village, as well as that of its rival families, to get to the truth.

Synopsis: What kind of mother abandons her child? It’s a question that conjures the worst kind of moral judgment. Yet during the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s condemnation and their own maternal instincts to leave their children—at will or due to economic or other circumstances. More than anything, she was fascinated by her own prejudice toward these women, so clearly tied up in a much wider cultural bias. The Abandoners is sharp, at times slyly humorous, and always deeply empathetic. Using famous examples such as Ingrid Bergman, Muriel Spark, Doris Lessing, and Maria Montessori as well as fictional ones like Anna Karenina and the many roles of Meryl Streep, and interrogating modern trends like “momfluencers,” Gómez Urzaiz reveals what our judgement of these women tells us about our judgement of all women.